'STABAT MATER' - Poznan Opera Ballet
"This neoclassical interpretation delighted with its symmetry, synchronicities, consistency, and the choreographer's understanding of music, which was her starting point for interpretation" by Katarzyna Nowicka-Rynkiewicz - Kultura Poznan
'NOCTURNE' - New English Ballet Theatre
"Daniela Cardim’s Nocturne was a deeply expressive pas de deux to Chopin’s Nocturne No.13 in C Minor. Camino Llonch and Daniel Corthorn absolutely captured the underlying current of experiencing grief and the choreography echoed the music in all its light and shade in a series of beautifully crafted passages"
By Deborah Weiss - Dance for You Photo by Deborah Jaffe
'RESET' - West Australian Ballet
Photos by Bradbury Photography
"Platinum opened spectacularly with the world premiere of Cardim’s Reset, inspired by composer Gabriel Prokofiev’s composition – a fusion of classical and electronic music – and Matej Preunicic’s exciting soundscape. Reset is a mainly abstract look at human interaction in this modern frenetic life, which was established from the start by five women and five men who strode onto the stage and criss-crossed it, as if oblivious of each other (...) Cardim’s lucid and uncluttered choreography was thrilling; her improvisations not just echoes of work already played out, and able to completely absorb the audience"
by Rita Clarke for Limelight
'IMMINENT' - Birmingham Royal Ballet
Photo: Johan Persson
"Taking a more classical approach, Daniela Cardim’s Imminent has a strong focus on the environment and specifically global warming and the uncertainty of what the future holds. There is a real delicacy about the choreography that makes it easy to engage with and react to – through every movement the dancers all give a real sense of urgency and fear about the situation, while Peter Teigan’s lighting design enhances that feeling of drama and tension perfectly towards the end.“ - Emma Clarendon, Love London Love Culture, Nov 2021
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